Studies the work of the most original and influential present-day art critic, tracing her development from her formalist writings in the 1960s through the post-structuralism of the current academic climate. Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at October, the journal she co-foun...(展开全部)

With contributions by David Bleich, Jonathan Culler, Stanley Fish, Walker Gibson, Norman N. Holland, Wolfgang Iser, Walter Benn Michaels, Georges Poulet, Gerald Prince, and Michael Riffaterre.

The Books That Shaped Art History reassesses the impact of some of the most important texts of art history published during the twentieth century. Each of the sixteen incisive chapters focuses on a single title and is written by a leading art historian, curator or one of the promising scholars of today's generation. In bringing these cross-generational contributions together, t...(展开全部)

The Books That Shaped Art History reassesses the impact of some of the most important texts of art history published during the twentieth century. Each of the sixteen incisive chapters focuses on a single title and is written by a leading art historian, curator or one of the promising scholars of today's generation. In bringing these cross-generational contributions together, t...(展开全部)

Marxist criticism in the 1930s -- The "new criticism" -- The Chicago school -- The New York intellectuals -- Myth criticism -- Phenomenological and existential criticism -- Hermeneutics -- Reader-response criticism -- Literary structuralism and semiotics -- Deconstructive criticism -- Feminist criticism -- Black aesthetics -- Leftist criticism from the 1960s to the 1980s.

It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing ...(展开全部)

It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticisma s energies in the wake of a a theatrical turna in recent visual arts practice, and the emergence of a a performativea arts wri...(展开全部)

内容 致谢/ix 导论：法语中的黑格尔和苦恼意识/1 1. 人类学转向/9 2. 泛-悲剧主义/19 3. 存在主义的抗辩：瓦尔和冯达纳/33 4. 否定性的使用：布勒东和列斐弗尔/53 5. 巴塔耶：失业的否定性/71 6. 萨特哲学中的苦恼意识/93 7. 苦恼意识的持存：德里达/119 8. 超越黑格尔？德勒兹，福柯与新经验主义/147 结论：苦恼意识的法国事业/175 注释/179 参考书目选录/217 索引/235

How the use of machine learning to analyze art images has revived formalism in art history, presenting a golden opportunity for art historians and computer scientists to learn from one another. Though formalism is an essential tool for art historians, much recent art history has focused on the social and political aspects of art. But now art historians are adopting machine lear...(展开全部)